Post – Exhibition Discussion

Following the online digital exhibition ‘ Song of the Female Textile Workers’ held throughout February on the Leeds Industrial Museum website, on the 18th March 2021 we held a Post Exhibition Discussion event.

The discussion was open to the public and held online. It was  co-chaired by Dr. Haili Ma, project Principal Investigator at the University of Leeds, Mr. Chris Sharp, Community Curator at Leeds Industrial Museum, and Mr. Steve Ansell, Artistic Director of Stage@Leeds.

The discussion explored how Shanghai, Leeds and Yorkshire can use traditional culture to connect communities in the digital age. It also explored the opportunities and challenges that may be encountered when collaborating online from three levels: censorship, digital compatibility and artistic creativity.

The discussion was commenced by Dr. Haili Ma, Principal Investigator of the project, who kicked off the event with a performance of Yue Opera by Chinese national actress Wang Rousang. Dr. Ma then presented an overview of the project and its current status, outlining the purpose and content of the discussion.

The discussion began with a focus on the shared cultural memory of the textile industry in Shanghai and Yorkshire. A notable participant was Richard Smith who had experience of managing textile manufacture in both West Yorkshire and Shanghai. Steve Ansell recognized the culture of the Yue Opera community that emerged among the women weavers in Shanghai, pointing out the commonalities between Leeds and Shanghai in this regard. At the same time, however, he felt that the biggest challenge to cross-border digital collaboration was the objective differences between China and the UK, with political and social differences leading to incompatible digital platforms.

Project Manager Ken Proctor then presented the intertwined histories of the textile industries in Shanghai and Yorkshire, pointing out the commonality of their creative transformation from mass machine production. This led to a fascinating discussion among participants, notably Chris Sharp and Suzy Shepherd (Yorkshire Textiles), about the cultural heritage of textile craftsmanship, factory sites and Yue Opera, which brought the discussion to a climax.

During the two-hour discussion, participants had friendly communications and engagement, providing many valuable experiences and ideas for the project and its’ ongoing development. At the end, every participant expressed their blessings and expectations for the project, bringing the discussion to a conclusion.

(Yifei Li, Chunyi Wu)

 

A version of this news article has also been published by Shanghai Textile Museum and Shanghai Yue Opera House who are jointly promoting the development of this project:

 

伦敦时间2021年3月18日18时,《纺织女工之歌》项目成功举办了在线展后讨论会,由利兹大学项目首席研究员马海丽博士、利兹工业博物馆社区官员Chris Sharp先生和利兹剧场/数字媒体平台(Stage@Leeds)艺术总监Steve Ansell先生共同主持。

本次讨论会是对2月12日-2月26日期间在利兹博物馆美术馆集团官网举办的在线展览的话题延续,旨在讨论上海、利兹及约克郡在数字时代如何将传统文化与社区联系在一起,从审查制度、数字兼容性和艺术创造力三个层面出发,进一步探索疫情时代进行跨国在线创作的机遇和挑战等问题。

讨论会开始前,项目首席研究员马海丽博士用中国国家一级演员王柔桑的越剧表演,拉开了活动的序幕。随后,马海丽博士介绍了项目概况和当前进展,并声明了本次讨论会的目的和内容。

讨论会首先围绕上海和约克郡纺织工业共同的文化记忆展开。Steve Ansell先生对于上海纺织女工中产生的越剧社区文化表示了认同,指出了利兹与上海在这方面所存在的共性。但同时,他认为进行跨国数字合作最大的挑战是中英之间存在的客观差异,政治和社会差异导致了数字平台无法兼容的问题。

随后,项目经理Kenneth Proctor介绍了上海和约克郡纺织业的历史交织发展过程,并指出二者都从大规模机器生产进行了创意转型这一共同点。这引发了参会者关于纺织工艺、工厂遗址和越剧等文化遗产的精彩讨论,将讨论会的气氛推至高潮。

在两小时的讨论中,参会者进行了友好地交流和互动,为项目提供了许多宝贵的经验和思路。最后,与会成员为项目送上了美好的祝福和展望,为讨论会画上了圆满的句号。

 

(李逸飞 武纯伊)